Let's Learn About...Block printing!

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This December, LET’S LEARN ABOUT…Block printing!

 

Have you ever tried creating designs on paper using stamps? Block printing is one of the oldest stamping techniques in the world. It involves using wood blocks to print text, images, or patterns on paper and cloth.

 

Many cultures have long traditions of printing on cloth, but it was in India that the practice reached new heights. Indian block-printed textiles were traded across the globe for hundreds of years, in exchange for gold, silver, and valuable spices.

 

To make these textiles, craftsmen would slowly and carefully stamp lengths of cotton fabric with hand-carved wood blocks coated with coloured ink or dye. Many of these craftsmen were taught the trade by their parents, who were in turn taught by theirs — each generation working almost exactly as the one before.

 

Block printing by hand is a slow process, but can produce beautiful results not achievable through other methods. Patterns usually include geometric shapes, as well as designs inspired by plants, animals, people, and even structures. 

 

 

WATCH

 

Watch textile artist Sunaina Bhalla who will show you how to block print in a step-by-step video. Then, try making a block-printed artwork yourself! Tag us @ACM_SG and #LearningatACM to have your artwork featured on our Instagram.

 

Length of video:  6:12 minutes

 

 

OBJECTS IN THE ACM COLLECTION

The ACM collection includes an impressive number of block-printed textiles from India. What patterns can you identify on them?

image highlight

Shoulder cloth (kain selendang)

India, Gujarat, mid-17th or 18th century
Cotton (block-printed and painted, mordant dyed), length 284 cm
2009-01949

 

This cloth would have been worn as a covering for the head, neck, and shoulders. Large quantities of similar textiles were produced in India and traded across Southeast Asia until the end of the 19th century – this one was made for a customer in Indonesia.

The design is made up of geometric shapes that were stamped repeatedly across the fabric. Try creating your own pattern with shapes like circles, squares, and triangles – how does it compare?

You can find the shoulder cloth in our Fashion and Textiles Gallery on Level 3. 

 

image highlight
Shoulder cloth (kain selendang)

India, Gujarat, mid-17th or 18th century
Cotton (block-printed and painted, mordant dyed), length 284 cm
2009-01949

 

This cloth would have been worn as a covering for the head, neck, and shoulders. Large quantities of similar textiles were produced in India and traded across Southeast Asia until the end of the 19th century – this one was made for a customer in Indonesia.

The design is made up of geometric shapes that were stamped repeatedly across the fabric. Try creating your own pattern with shapes like circles, squares, and triangles – how does it compare?

You can find the shoulder cloth in our Fashion and Textiles Gallery on Level 3. 

 

image highlight

Ceremonial cloth (daun bolu)

India, Gujarat, 14th to 16th century
Cotton (stamped, painted, mordant and resist-dyed), length 542 cm
2009-01906

 

Indian block-printed textiles sent to Southeast Asia were used for a variety of reasons. Some were made into clothing for the wealthy, or were presented as gifts between rulers. Others were displayed as wall hangings during important ceremonies and festivals, like this cloth decorated with leaves of different shapes and sizes.

image highlight
Ceremonial cloth (daun bolu)

India, Gujarat, 14th to 16th century
Cotton (stamped, painted, mordant and resist-dyed), length 542 cm
2009-01906

 

Indian block-printed textiles sent to Southeast Asia were used for a variety of reasons. Some were made into clothing for the wealthy, or were presented as gifts between rulers. Others were displayed as wall hangings during important ceremonies and festivals, like this cloth decorated with leaves of different shapes and sizes.

image highlight

Fragment of a skirt cloth (pha nung)

India, Coromandel Coast, late 17th or 18th century
Cotton (drawn and painted, mordant and resist dyed), length 45.5 cm
2009-01849

 

This textile – a fragment from a larger cloth – is decorated with colourful leaves and flowers connected by curling red stems. The colours used to decorate Indian textiles were produced using a variety of materials, including natural dyes made from plants and minerals. What colours would you use to decorate?

To learn more about natural dyes, watch this video.

 

image highlight
Fragment of a skirt cloth (pha nung)

India, Coromandel Coast, late 17th or 18th century
Cotton (drawn and painted, mordant and resist dyed), length 45.5 cm
2009-01849

 

This textile – a fragment from a larger cloth – is decorated with colourful leaves and flowers connected by curling red stems. The colours used to decorate Indian textiles were produced using a variety of materials, including natural dyes made from plants and minerals. What colours would you use to decorate?

To learn more about natural dyes, watch this video.

 

EXPLORE

Head to NHB’s one-stop heritage portal Roots.sg to read more about the objects featured here.

 

Shoulder cloth (kain selendang)

Ceremonial cloth (daun bolu)

Fragment of a skirt cloth (pha nung)

 

Learn more about block printing with artist Sunaina Bhalla at her Instagram account: craftersinc.sg

 

 

Come back every month for more resources like this.

Missed a post? We’ve got you a covered; past topics can be found here.

What else would you like to learn about? Tell us here.

 

There’s more!

Check out videos and other e-resources inspired by the objects in the ACM collection.

 

 

 

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